Belgium's Jaune Toujours was even better live than on record, a remarkable band on its peak.
With charismatic accordeon-wielding singer Piet Maris and an astonishingly tight and agile brass and reeds section,
they played band-written material witch in its seamless integration of diverse musical elements and subjet matter is profoundly,
open-mindedly Belgian.

Jamie Renton in fROOTS magazine, aug/sept 2002:

Jaune Toujours are a kickass roots band who hail from Brussels and play their own distinctive form of wild, weird, brassy folk-punk. Had Joe Strummer swapped his guitar for an accordeon, had Shane Mc Gowan imbibed vast quantities of Belgium wheat beer instead of vast quantities of... whatever it is he knocks back, had Mano Negra or Les Negresses Vertes hailed from Brussels, well they might all have sounded a bit like this. JT leader Piet Maris has a raw declamatory style reminiscent of the above named, although at the same time very much his own. He can belt it out on the fast tracks such as Printemps and the Lowlands ska of Tu Trouves Que Ca Groove or get down 'n' dirty as he does on La Valse Du 55 (a lurching drunken waltz). He also plays the hell out of the accordeon, pumping the instrument into new heights of grit and frenzy. Add to this a kicking horn section (listen to them roar on the opening instrumental, Rouge, and the all-stops-out title track Camping del Mundo), and you have one hell of a band.

Christian Moll in Folkworld, june 2002:

The band around Piet Maris (voice and accordeon, etc.) is highly original, they have created their own sound with lots of influences. The "yellow band" has put up their tents in Brussels, their music is a urban mix of Belgian traditions (both flemish and wallonian - they sing in french and flemish), mixed with musette, jazz, music from Europe (especially a south eastern influence is there) and the rest of the world, a bit of rock and much more. Main instruments apart of the voice and accordeon are the brass section (trumpet, tuba, trombone, sousaphone, saxophone, clarinet. All the album is made by the six musicians of the band; only on two tracks there are additional female voices (Laila Am?zian; Katharina Pohlodkova & Lubica Macova) as guests. If you don't want to miss one of the best bands for the third millenium (in my opinion) go out and buy this album - it is unconventional a bit mad and highly original music. I am sure this band can create the same buzz in live! By the way their previous album 'Brusk' was voted by the editors of FolkWorld ... as best album of 2000!

Didier Stiers dans Le Soir 7/4/02:

C'est donc au travers des instruments de musique que la fanfare a fait irruption dans le répertoire de Jaune Toujours. Sur Camping del Mundo, le deuxi?me album des Bruxellois, elle prend des couleurs tziganes quand l'accordéon se marie avec les cuivres ... Jaune Toujours a trouvé une vraie identité: bruxelloise, belge et cuivrée... dans le vaste camping du monde.

Peter Van Tyghem in de Standaard, 6-7/4/02:

Uitstekend is Camping del Mundo van Jaune Toujours, een levendige mix van oude fanfaremuziek, strakke ritmes, chanson en Balkan-kleuren ... Jaune Toujours zet met zijn nieuwe cd een grote stap voorwaarts na de ook al stevige debuutplaat.

Christophe Verbiest in De Morgen, 18/3/02:

Net zoals Brussel is Jaune Toujours een mix van culturen: folk, musette, wals, zigeunermuziek, rock, tango, fado, fanfareklanken of circusmuziek, het kan allemaal voor dit zo goed als volledig akoestische combo ... Jaune Toujours is trouwens een feestband die ook durft te treuren. Op Camping del Mundo heffen ze het glas op zo'n veelzijdigheid.

Folker! ... Folk, Lied und Weltmusik, 3/02:

Intelligenter Bar-Folk aus Brüssel. Jaune Toujours haben auf ihrer zweiter CD wieder Bläser, Akkordeon, Schlagzeug und Kontrabass kombiniert. Die tiefsinnig bis witzigen Texte sind teils flämish, teils französisch. Mit dem Album-Titel assoziiert sich die Gruppe geschickt als belgische Weltmusik.