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We are very excited to announce that our short fiction film YANA - short film has been selected for the festival Nacht van de kortfilm.
It's an international short film festival, usually taking place in the city center of Antwerp, but due to Covid-19 the selected films will be viewed and judged by the jury at home this edition.
The festival has a varied program with international, national, documentary, fiction and animation films, judged by a professional jury and the audience.
"That's what's interesting about this group, this subtle mix of ingredients from the four corners of the Mediterranean"
Jacques Prouvost from Jazz blog JAZZQUES really enjoyed 3'Ain at Brosella XXS festival.
Read his full review (in French) on his JAZZQUES blog.
3'Ain at the Brosella XXS festival as seen through the lens of Shamrockraver.
Lieve Boussauw made some great pictures of 3'Ain live at Brosella XXS x Hello Summer.
Huge thanks to Plazey Festival, gc De Platoo & gc De Zeyp for making this possible. And of course big up to the crowd for facing the heat and celebrating with us!
Huge thanks to Plazey Festival, gc De Platoo & gc De Zeyp for making this possible. And of course big up to the crowd for facing the heat and celebrating with us!
Huge thanks to Plazey Festival, gc De Platoo & gc De Zeyp for making this possible. And of course big up to the crowd for facing the heat and celebrating with us!
Huge thanks to Plazey Festival, gc De Platoo & gc De Zeyp for making this possible. And of course big up to the crowd for facing the heat and celebrating with us!
Huge thanks to Plazey Festival, gc De Platoo & gc De Zeyp for making this possible. And of course big up to the crowd for facing the heat and celebrating with us!”
"... corrupted and impure but with a directness and emotional value to say the least."
Thank you Georges Tonla Briquet and Jazzenzo Jazzmagazine for the beautiful review of our debut EP 3'Ain.
′′Describing the debut disc '3'Ain' as crossover would be an easy solution without putting everything into context. For the five compositions, the trio borrowed style elements and motifs from both Western and Eastern circles. A subtle cocktail of merges, as jazz can be. With accordion, trumpet and double bass they tentatively test a (limited) number of possibilities. Swing is missing, improvisation and blues on the other hand partly determine the main colour but following to the Maris method. And that means corrupted and impure but with a directness and emotional value to say the least..."
Read the full text (in Dutch) here